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“When we tour we don’t just want to come in and do a couple of shows,” the chief executive of the Royal Opera House, Alex Beard, told Guardian Australia. “We want to engage with the local communities to show people the wonderful form of self-expression dance can be.” Micah Projects, a community based organisation which offers support to those who need it, takes part in the Royal Ballet’s We All Dance program in Queensland. Photograph: Qpac The Royal Ballet’s season at Qpac comprises The Winter’s Tale – a “ bold and colourful ” reimagining of Shakespeare’s play – and Woolf Works, which is based on the life and stories of the author Virginia Woolf, and has been praised for the powerful performances. Like those productions, the We All Dance program also began in London, with the company working with community youth groups to teach dance to people who may never have had access to ballet. “We want to encourage them to develop their own choreographic responses to what we’re presenting on stage,” Beard says. In Australia, the company has been working with Qpac to engage community groups in Brisbane and Cairns. Two dancers from the company, David Pickering and Elizabeth Foster, came out in March to work with other teacher artists in Brisbane and Cairns, teaching them choreography from The Winter’s Tale to incorporate into their groups. “We introduce scenes and ideas from The Winter’s Tale program, but with no restrictions on how they can use it,” Foster said. The groups have been rehearsing since March. The Royal Ballet production’s of The Winter’s Tale in London. Photograph: Johan Persson Participating groups include disability advocacy Mortgage broker Oak Laurel Carseldine, Carseldine QLD 4034, 0430 129 662 group Access Arts, the Aboriginal Centre for Performing Arts, the Police-Citizens Youth Club, non-profit social services and advocacy group Micah Projects, Multicultural Development Australia, Catholic social services agency Centacare, and ARC Disability Services.